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<Serpente> <*>Do what thou wilt 
   shall be the whole of the Law. 
   Love is the law, love under 
   will.
<Serpente> <*>On behalf of the 
   users of Undernet Channel 
   #Thelema, allow me to extend a 
   hearty welcome to all.
<Serpente> <*>The topic for 
   tonights discussion is Chapter 
   I of Magick in Theory and 
   Practice, The Principles of 
   Ritual.
<Serpente> <*>You may find the 
   text at http://www.winternet.com
   /~robin/magick01.html we 
   recommend that you bring the 
   text up on your web browser now 
   before we begin so that you may 
   refer to it.
<Serpente> <*>IRC is a difficult 
   medium to hold discussions of a 
   complex nature so we would like 
   to ask that everyone remain 
   focused on the topic at hand to 
   help us avoid distractions.
<Serpente> <*>The format of 
   the discussion is mostly 
   unmoderated. Rather than 
   lecture, our hope is to 
   encourage everyone to 
   contribute so that we may 
   all learn from each others 
   perspectives.
<Serpente> <*>We understand that 
   there will be a wide range of 
   depth of understanding and it 
   is our hope that both experience
   d and less experienced individua
   ls will gain something from our 
   discussion
<Serpente> and feel welcome to 
   contribute.
<Serpente> <*>Since this chapter 
   is rather short I have loaded 
   it in its entirety into the 
   quoting program. If you would 
   ratherYou can request to be 
   served paragraphs by messaging 
   me with a message
<Serpente> in the format pN where 
   N is the paragraph number. 
   These introductory remarks are 
   paragraphs p0 through p10.
<Serpente> <*>We will begin in a 
   couple of minutes with the 
   first paragraph.
<Serpente> <*>CHAPTER I
<Serpente> <*>THE PRINCIPLES OF 
   RITUAL
<Serpente> <*>There is a single 
   main definition of the object 
   of all magical Ritual. It is 
   the uniting of the Microcosm 
   with the Macrocosm. The Supreme 
   and Complete Ritual is therefore
    the Invocation
<Serpente> of the Holy Guardian 
   Angel; or, in the language of 
   Mysticism, Union with God.
<kendoggie> what book
<Serpente> its magick in theory 
  and practice
<abrasax> Therefore, Macrocosm is 
   HGA, right?
<kendoggie> kewl
<kendoggie> a discussion group
<kendoggie> love it
<Aleister> if i understand it, the 
   HGA can be either microcosm or 
   macrocosm depending on if one 
   is invoking or evoking
<Tabytha> But the HGA materializes 
   to each person differently....fr
   om one person to the next
<abrasax> Also it is attributed to 
   the degree of 5=6 or microcosm=m
   acrocosm
<Serpente> From what tabytha said 
  can we then say that the macrocos
  m is unique for each one of us?
<abrasax> I don't think so
<Tabytha> Not everyone has "Set" 
   for a HGA
<abrasax> since we are the exact 
   image of Macrocosm, and since 
   we all differ...
<Aleister> well, since the macrocos
   m and microcosm are both mirrors
<Aleister> since each of us is 
   different the macrocosm would 
   reflect each differently
<abrasax> true
<Aleister> it would seem that the 
   question of whether the macrocos
   m IS different is in principle 
   not answerable
<Serpente> maybe our HGA is 
  the reflection of ourselves 
  coming back at us
<Exscrps> Aleister, is this 
   what you're saying: HGA is 
   Microcosm if Invoking.  
   HGA is Macrocosm if Evoking.
<kendoggie> makes sense
<Aleister> no ex, the other 
   way around
<abrasax> hmm, interesting 
   point serp
<Aleister> yes serp
<Aleister> imho
<sekretz> 93 all
<Serpente> 93 sekretz 
<abrasax> 93 sekretz
<Tabytha> We only gain knowleg
   e and coversation, once we 
   bring together all levels 
   of conseness, right?
<abrasax> evocation of HGA 
   could fall under 6=5 
   degree then
<Tabytha> Cr
<Tabytha> Crap.....<sp>
<Serpente> sekretz the questio
  n is, how can our hga be 
  unique if the process is 
  union with the macrocosm
<Exscrps> Aleister, thanks.  
   I need to think about that 
   one!  I have reasons for 
   the other way around which 
   we could probably explore 
   in another discussion.  
   Thanks for the concept.
<abrasax> perhaps only our 
   perception of HGA is unique
<Serpente> lets continue
<Serpente> <*>All other 
   magical Rituals are particu
   lar cases of this general 
   principle, and the only 
   excuse for doing them is 
   that it sometimes occurs 
   that one particular portion
    of the microcosm is
<Serpente> so weak that its 
   imperfection of impurity 
   would vitiate the Macrocosm
    of which it is the image, 
   Eidolon, or Reflexion. For 
   example, God is above sex; 
   and therefore neither man 
   nor woman as such can be
<Serpente> said fully to 
   understand, much less to 
   represent, God. It is 
   therefore incumbent on the 
   male magician to cultivate 
   those female virtues in 
   which he is deficient, and 
   this task he must of 
   course accomplish
<Serpente> without in any way 
   impairing his virility. It 
   will then be lawful for a 
   magician to invoke Isis, 
   and identify himself with 
   her; if he fail to do 
   this, his apprehension of 
   the Universe when he 
   attains
<Serpente> Samadhi will lack 
   the conception of maternity
   . The result will be a 
   metaphysical and --- by 
   corollary --- ethical 
   limitation in the Religion 
   which he founds. Judaism 
   and Islam are striking 
   example of
<Serpente> this failure.
<Serpente> whoa that was a 
  bit long :)
<sekretz> The same way that 
   each prophets vision of 
   god is different, I would 
   suppose: We each as individ
   uals reflect on even a 
   universal experience in a 
   way that reflects ourselves
    in the outcome.
<abrasax> now, why are all 
   other rituals cases of 
   this one
<abrasax> does that mean that 
   all gods that we invoke 
   are just different faces 
   of HGA
<Aleister> 'truth' gets 
   rather strained and flavore
   d by the time it passes 
   though our neural, cultural
   , and personal filters
<Serpente> I would say yes of 
  course
<Aleister> or of the self
<Serpente> every smaller 
  thing is part of the larger 
  macrocosm
<Tabytha> It goes back to 
   Kabbala, atleast Jewish, 
   the sepheroth are parts or 
   aspects to God
<Tabytha> Its all one
<Tabytha> Its easier to back 
   it down into smaller 
   pieces 
<Tabytha> oops
<Tabytha> break
<Serpente> one but with many 
  features
<abrasax> what Crowley is 
   saying here also is that 
   we are just theoretically 
   exact image of macrocosm
<Serpente> aspects
<abrasax> it's our work to 
   balance ourselves, to 
   reflect the macrocosm, and 
   then unite with it
<Serpente> but also that we 
  likey fail to represent 
  each aspect in balance
<abrasax> this work of balanci
   ng brings us to next 
   segment
<Serpente> yep
<Serpente> <*>To take 
   another example, the 
   ascetic life which devotion
    to magick so often involve
   s argues a poverty of 
   nature, a narrowness, a 
   lack of generosity. Nature 
   is infinitely prodigal --- 
   not
<Serpente> one in a million 
   seeds ever comes to fruitio
   n. Whoso fails to recognise
    this, let him invoke 
   Jupiter.
<abrasax> 93 LAW
<abrasax> serp, you can add 
   one more segment, I think
<LAW> 93 Everybody.
<Serpente> ok
<Serpente> 93 LAW
<Serpente> <*>The danger of 
   ceremonial magick --- the 
   sublest and deepest danger 
   --- is this: that the 
   magician will naturally 
   tend to invoke that partial
    being which most strongly 
   appeals to him, so
<Serpente> that his natural 
   excess in that direction 
   will be still further 
   exaggerated. Let him, 
   before beginning his Work, 
   endeavour to map out his 
   own being, and arrange his 
   invocations in such a way 
   as to redress
<Serpente> the balance.
<Aine> 93 law
<LAW> Good to see you again 
   Abrasax & Aine.
<abrasax> however, wouldn't 
   the doing of your true 
   will emphisize one part of 
   your being
<Serpente> This seems to ask 
  us to know ourself fairly 
  well before we begin
<abrasax> well, they say that 
   words Nosce Te Ipsum are 
   on the doors of the portal 
   of the Temple
<Serpente> what does that 
  mean abrasax
<Exscrps> Know Thyself!  A 
   natal chart is a good 
   indicator of any lack of a 
   particular element in 
   one's makeup.  I'm reminded
    of a Brother who, discover
   ing that he had a lack of 
   Fire in his birth chart, 
   joined the Polar Bears 
   Club! 
<Aleister> there is a referenc
   e there for the mapping 
   proceedure
<abrasax> however, that can 
   take years
<abrasax> hehe
<Aleister> libers 913 and cxi 
   are given as reference 
   there
<abrasax> I think that even Tree 
   of Life can be very useful
<Exscrps> I must take my leave 
   now.  I shall rejoin you all 
   later.  93 93/93
<Tabytha>  re Math
<Aleister> and what DOES 'Nosce Te 
   Ipsum' mean?
<Mathetes> re 93s
<abrasax> try to figure out which 
   sephiroth are weak, and which 
   are too strong
<abrasax> otherwise, your magick 
   will be qlipphotic
<Serpente> abrasax, good point.  
  Perhaps that is one of the 
  primary functions of having a 
  map like the tree of life to 
  point out general areas that a 
  balanced being just might have
<abrasax> I think that College of 
   Thelema deals seriously with 
   these issues
<abrasax> 93 ex
<Mathetes> and just taking the 
   middle path?
<abrasax> Know Thyself
<Serpente> that leads right to the 
  next statement in the text
<Serpente> <*>This, of course, 
   should have been done in a 
   preliminary fashion during the 
   preparation of the weapons and 
   furniture of the Temple.
<abrasax> we are the Tree of Life 
   of course, that's what Pentagram
    ritual teaches us
<LAW> There are many system and 
   approaches to begin the process 
   of "Knowing Thyself", the Tree, 
   and other Qabalistic study, 
   Enochian we have used effectivle
   y, and several of the methods 
   of current day "undoing and 
   redoing" seem also to be 
   effective as well as Shamanistic
    work, just to mention a few.
<Serpente> so by the preparation 
  of the elemental weapons we 
  become introduced to the map and 
  its primary aspects and gain a 
  general survey of the territory
<abrasax> I don't think that we 
   should take Crowley literary
<abrasax> he doesn't really mean 
   the furnishing of the physical 
   Temple
<abrasax> but rather as a symbol 
   of our magickal universe
*** lasre (Geoff@d6m14.e-tex.com) 
has left #thelema
<LAW> Hummm, I tend to think he 
   did, at least in this reference.
<abrasax> could you elaborate?
<Aleister> well, since the 
   one symbolizes the other, 
   it seems a moot point
<LAW> Well the process of 
   making your magical tools 
   and puting the Temple 
   furniture together is a 
   self initiation unto 
   itself.
<abrasax> agreed Al
<Serpente> I would think that 
  the actually conscruction 
  and consecration process 
  would be an important part 
  of gaining that first 
  familiarity with the territo
  ry
<LAW> Construction of the 
   implements "forces" somewha
   t the actual understtanding
    of same.
<abrasax> but I think that it 
   should come after getting 
   to know yourself better
<abrasax> you don't rush to 
   make your weapons right 
   away
<LAW> I agree Serpente, at 
   least that has been my 
   personal experience.
<LAW> Agreed also Abrasax, 
   it's just part of the 
   process taken at the 
   magicians own pace.
<Serpente> which is probably 
  why most training or Outer 
  orders are arranged in an 
  elemental progression
<abrasax> good point
<abrasax> that's the formula 
   of Pentagram actually
<abrasax> balancing the four 
   elements and then invoking 
   the Spirit
<Serpente> but other systems 
  could be used such as 
  chakras or any other model 
  that supposed to be a 
  complete image oof the 
  macrocosm
<abrasax> compare grades in 
   A.'.A.'.
<abrasax> so could we look at 
   the Man of Earth triad as 
   performing the similar 
   function
<abrasax> where the final 
   rising of Kundalini is 
   union with HGA
<abrasax> btw, one remark, 
   one found it very easy to 
   study chapter 8 along with 
   this one
<abrasax> I found it, not one
<Serpente> ok lets keep going
<Serpente> <*>To consider in 
   a more particular manner 
   this question of the 
   Nature of Ritual, we may 
   suppose that he finds 
   himself lacking in that 
   perception of the value of 
   Life and Death, alike of
<Serpente> individuals and of 
   races, which is characteris
   tic of Nature. He has 
   perhaps a tendency to 
   perceive the "first noble 
   truth" uttered by Buddha, 
   that Everything is sorrow. 
   Nature, it seems, is a 
   tragedy.
<Serpente> He has perhaps 
   even experienced the great 
   trance called Sorrow. He 
   should then consider 
   whether there is not some 
   Deity who expresses this 
   Cycle, and yet whose 
   nature is joy. He will 
   find what he requires
<Serpente> in Dionysus.
<Ingeborg> hello all!
<abrasax> 93 inge
* Ingeborg waves to the 
  channel
<Serpente> 93 Inge, feel free 
  to join us we have a discuss
  ion group in progress
<Aine> 93 inge
<Ingeborg> I don't know what 
   to say, seeing as I'm from 
   a very different magical 
   tradition.
* Ingeborg shrugs
<Ingeborg> guess I should 
   just lurk and take mental 
   notes...
<Serpente> hmm this is interes
  ting for AC to recommend an 
  antidote to buddhism that 
  is pretty far removed from 
  the buddhist reaction
<abrasax> I think that he's 
   deriving this from his 
   personal experience
<Aleister> it was not an 
   antidote to buddhism per se
<Aleister> it was an antidote 
   to adherence to a partial 
   and limiting truth
<abrasax> he's not saying 
   that there is anything 
   wrong with buddhism
<LAW> Also more of a traditina
   l Crowley "leg pull" as to 
   drownding one's sorrow in 
   a bottle of good booze.
* Ingeborg chuckles
<kendoggie> lol
<Aleister> thank you law, i 
   missed that obvious joke
<abrasax> hehe
<LAW> A good dicotomy too 
   Laughing Budda and Sorrow.
<Serpente> one of the fun 
  things about reading crowley
  , he had a great sense of 
  humor
<LAW> Also deeper in that 
   Sorrow is Binah and Nature 
   being a joke in itself 
   Aliester really turned on 
   here I think, many layers 
   of thought actually.
<tannhaus> hello
<abrasax> 93 tann
<tannhaus> 93
<Ingeborg> hello Tann!
<LAW> Hints and inuendo to 
   the max.
<abrasax> serp, you can give 
   us next segment
<Serpente> ok
<Serpente> <*>There are 
   three main methods of 
   invoking any Deity.
<Serpente> <*>The First 
   Method consists of devotion
    to that Deity, and, being 
   mainly mystical in characte
   r, need not be dealt with 
   in this place, especially 
   as a perfect instruction 
   exists in Liber
<Serpente> 175 ("See" Appendix).
<abrasax> Bahkta-Yoga, basical
   ly
<Aleister> yep
<abrasax> Also we can look at 
   it as using Love formula(Lo
   ve is the law...) and 
   second method as using 
   Will formual (Do what...)
<abrasax> 93 ringo
<Ringo_X> Hey , 93
<Serpente> I would think this 
  would be confusing to 
  someone in thier early 
  career as a magician
<abrasax> what would be 
   confusing
* Aine was confused a long 
  time ago :)
<Serpente> well I would 
  expect it would be dramatic 
  and carrying away
<abrasax> you mean this method
<Serpente> total identificatio
  n with a deity through 
  worship and devotion
<Serpente> yeah
<Serpente> just an aside 
  really
<Aleister> evokation would seem 
   to involve 'will' in a more 
   active sense than invokation 
   does
<LAW> Why so?
<Serpente> invocation would 
  involve a kind of surrender
<abrasax> they both involve 
   will, since they are attribute
    to the formula of wand
<abrasax> this method would fall 
   under formula of Cup then, 
   right?
<LAW> Ah, yes see your point now.
<Serpente> oh well my point was 
  really just to reiterate the 
  trueism that the magician has 
  to be careful not to mistake 
  the first resting place as the 
  destination :)
<abrasax> 93 white
<Whiteshdw> MM
<Brmhilda> hiya inge
<Ingeborg> hiya!
<abrasax> any more comments on 
   this first method?
<Ingeborg> Ummm...what do I do 
   here besides lurk and read?
<Serpente> lets continue to the 
  second method
<Serpente> lurking is fine 
  Ingeborg :) 
<Serpente> <*>The Second method 
   is the straight forward 
   ceremonial invocation. It is 
   the method which was usually 
   employed in the Middle Ages. 
   Its advantage is its directnes
   s, its disadvantage its 
   crudity.
<Serpente> The "Goetia" gives 
   clear instruction in this 
   method, and so do many other 
   rituals, white and black. We 
   shall presently devote some 
   space to a clear exposition 
   of this Art.
<LAW> I think there is some 
   beginning value for some 
   people in the devotional 
   method of becoming the Diety 
   through invocation then 
   evocation, might not be of 
   value to everyone but for 
   some it might be the key. I'd 
   guess this is why it's 
   mentioned here then given to 
   a complete other study for 
   those interested in mystical 
   means to the end.
<abrasax> however, these two 
   methods can be easily combined
<Serpente> thank you LAW good 
  point
<Serpente> combined abrasax? can 
  you explain
<Aleister> perhaps my understandi
   ng is poor
<Aleister> i seem to have some 
   problem with the idea of 
   evokation
<abrasax> well, I mean adding 
   some emotions and devotions 
   when using second method
<Aleister> seeking union with a 
   god works fine for me
<abrasax> combining Love with 
   Will
* Ingeborg nods ...same here, 
  Al...
<Aleister> constraining one and 
   bossing it around seems out 
   of accord with my nature
<abrasax> chapter 15 talks about 
   that combination
<Ingeborg> Ummm, pardon me if 
   this sounds clueless...
<Aleister> are these really in 
   some sense the same thing?
<Aleister> evokation seems 
   unnecessarily dualistic to me
<Whiteshdw> oops, gotta go, 
   Merry Part
<abrasax> these methods are 
   actually in a sense same, as 
   Crowley points out latter
<Ingeborg> but what (no crowley-e
   se please, just plain English)
    do you mean by capital-L 
   Love?
<Serpente> Ingeborg, I would say 
  the simplest sense, Love=Union
<Ingeborg> I come from a traditio
   n that doesn't use that 
   terminology.
<Ingeborg> Ohhhhh.
<abrasax> I actually find it 
   hard to explain using words, 
   but perhaps Divine Love
<abrasax> I am using it here in 
   connection with Liber AL
* Ingeborg nods
<Serpente> aleister perhaps 
  there are aspects of your 
  selve you would rather not 
  increase by furthuring your 
  identification with them, but 
  rather that you would like a 
  greater degree of control over 
<LAW> I think both methods 
   involve similar things it's 
   more or less the understanding
    and focus of the magician 
   that makes the difference 
   here. After all the means by 
   which we assume or associate 
   being the god form are in 
   fact just a passive method of 
   subtle invocation and evocatio
   n. Direct intent to invoke 
   and evoke is what I think the 
   reference to cruder methods 
   are meant to imply.
<LAW> Kind of the difference 
   between Mystical and Occult 
   approaches to me.
<abrasax> evocation is also 
   connected with digging out 
   complexes in psychoanalysis
* Ingeborg keeps lurking...
<Serpente> interesting that 
  crowley uses the terms 'black' 
  and 'white' here
<Aleister> well, i admit to 
   being reluctant to call 
   anything i would feel obligate
   d to restrain
<Mistletoe> brb
<Aleister> i dont want to call 
   anything i would be uncomforta
   ble having in my life for a 
   long time
<abrasax> I wonder why
<abrasax> maybe black magick is 
   the one not pointed toward HGA
<Aleister> it seems dangerous to 
   me
<Serpente> on the other hand 
  Aleister any macrocosm is 
  going to have a lot of stuff 
  in it not all of which is 
  savory
<abrasax> that's how he defines 
   it somewhere else
<LAW> Black = Female White = 
   Male in much of the writtings,
    so maybe again an indication 
   of Combining same to create 
   the desired child. Just a 
   thought.
<abrasax> I'm pretty sure that 
   black rituals are those for 
   material things, powers, not 
   toward HGA
<Serpente> another good point 
  LAW, you always have to 
  remember to look for layers of 
  symbolism with crowley
<Ringo_X> I've always understood 
   it as everything 'lawful'...ma
   terial gain whatever as long 
   as it fits somehow into the 
   grand scheme of things ie. HGA
<LAW> I'd guess that Crowley was 
   not too scared of using the 
   Black Magick terminology for 
   absolute example, for more 
   often then not he was writing 
   to an assumed educated 
   audience I think.
<Ringo_X> alot of scope offered 
   in this defninition
<abrasax> Crowley says: "any 
   will but that to give up the 
   self to the Beloved is Black 
   Magick"
* Ingeborg sits idly in the 
  cybercorner, fiddling with the 
  Thor's hammer around her neck 
  *hmm hmm hmm*
<Serpente> also he is refering 
  to instruction or method not 
  to motive in this context
<Serpente> so that is worth 
  bearing in mind I think
<abrasax> true
<Ringo_X> mmh, nod
<LAW> Abrasax, I'd think that at 
   the time of this writing 
   Crowley was not indicating 
   anything to do with polarized 
   warnings against Black Magick 
   as associated with Material 
   gain.
<Aleister> and since he was 
   referring in that passage to 
   literature not his own i 
   would think he was accepting 
   the previous given understandi
   ng of the meaning there
<LAW> See the potential in that 
   comment as a hint, if Black 
   is Female?
<PAniteowl> MM all
<abrasax> no law
<abrasax> 93 pa
<Serpente> ok lets go on
<Serpente> <*>In the case of 
   Bacchus, however, we may 
   roughly outline the procedure.
    We find that the symbolism 
   of Tiphareth expresses the 
   nature of Bacchus. It is then 
   necessary to construct a 
   Ritual
<Serpente> of Tiphareth. Let us 
   open the Book 777; we shall 
   find in line 6 of each column 
   the various parts of our 
   required apparatus. Having 
   ordered everything duly, we 
   shall exalt the mind by 
   repeated prayers
<Aleister> i think in this 
   context, demonic workings 
   might be the referent
<Serpente> or conjurations to 
   the highest conception of the 
   God, until, in one sense or 
   another of the word, He 
   appears to us and floods our 
   consciousness with the light 
   of His divinity.
<Serpente> oops sorry Aleister
<abrasax> 93 green
<Aleister> go right ahead
* GreenMan_ waves to everyone
<LAW> From Crowley's point of 
   reference. 
<Ringo_X> right to part of the 
   method
<Mistletoe> back
<abrasax> this example seems 
   fairly straightforward
<Serpente> yep
<Aine> hihi green
<Ringo_X> maybe junping the gun 
   here, but it seems to me that 
   in the last para he realtes 
   each of these methods to IAO 
   formula?
<Serpente> we could I suppose go 
  into what is 777, though I 
  suspect everyone is familiar 
  with that book
<Ringo_X> nod
<abrasax> good point ringo
<abrasax> I=isis would definitely
    go under Devotion
<abrasax> but how do other ones 
   fit
<LAW> I agree Ringo, good point 
   too.
<Feydakin> 93
<Aine> 93 fey
<Feydakin> What's doing?
<abrasax> 93 fey
<Aleister> the self may be 
   'anhilated' in invokation, 
   would that fit "A."?
<abrasax> serp, how about next 
   part
<Serpente> ok lets see the next 
  one
<Serpente> <*>The Third Method 
   is the Dramatic, perhaps the 
   most attractive of all; 
   certainly it is so to the 
   artist's temperament, for it 
   appeals to his imagination 
   through his aesthetic sense.
<Ringo_X> I can't see clearly 
   how each of the methods 
   outlined relates to IAO
<Tabytha> I gotta go guys........
   .93s will there be another 
   diss. next week?
<Ringo_X> al I was thinking 
   along those lines
<Aleister> yes taby chap 2
<Tabytha> Thanks
<Tabytha> I'll be here
* Tabytha waves
<Serpente> <*>Its disadvantage 
   lies principally in the 
   difficulty of its performance 
   by a single person. But it 
   has the sanction of the 
   highest antiquity, and is 
   probably the most useful for 
   the foundation
<Serpente> of a religion. It is 
   the method of Catholic 
   Christianity, and consists in 
   the dramatization of the 
   legend of the God. The 
   Bacchae of Euripides is a 
   magnificent example of such a 
   Ritual; so also, through
<Serpente> in a less degree, is 
   the Mass. We may also mention 
   many of the degrees in 
   Freemasonry, particularly the 
   third. The 5 Degree = 6Square 
   Ritual published in No. III 
   of the Equinox is another 
   example.
<Ringo_X> the chapter seems to 
   move form general outline of 
   drmatic method to more 
   specific nature of Bacchus, 
   it seems divergent to me
<Serpente> trying to give 
  examples I think
<Ringo_X> yes, well the bacchus 
   Christ thing is prob the most 
   well known and wide spread
<abrasax> re all
<abrasax> are we still on the 
   second method
<Ringo_X> 3 rd
<LAW> I think the drawn point to 
   IAO as the basis here is 
   because of the root formula 
   being in production of a 3rd 
   thing. Reguarless of the 
   method the formula is always 
   aimed at that production, so 
   IAO formula is the foundation.
<Serpente> nope we just moved to 
  the dramatic
<abrasax> thanx
<LAW> The Mass with it's I and O 
   components, and the consumptio
   n and combining of them to 
   produce the 3rd thing, i.e. 
   the child is another reference
   .
<Ringo_X> nod
<Serpente> I would think that 
  any dramatic ritual would have 
  to include elements of invocati
  on
<Ringo_X> cf with the rose and 
   cross discussed
<abrasax> certainly
<abrasax> btw, why does Crowley 
   sort of go off topic here
<abrasax> talking about the 
   theory of death and so on
<Aleister> it seems to me that 
   drama involves both invokation
    and evokation
<LAW> With invocation of a 
   Diety, then assumption of 
   that Diety's "being" we end 
   up with a 3rd thing also, 
   that being the combination of 
   the Diety and the Magician to 
   produce the child which is 
   neither the Diety or the 
   Magician but both combined 
   into a 3rd thing.
<Aleister> invokation in that 
   one identifies with the role 
   played
<Aleister> evokation in that 
   others are also calling that 
   being into you by treating 
   you as that being
<Ringo_X> it seems to me that 
   the discussion of rose and 
   cross and then IAO all ties 
   in with the fundemental 
   process...as LAW mentioned
<LAW> Yep, Actor and Script, 
   combined equal 3rd thing, 
   that which is neither but 
   both.
<Ringo_X> what did Burroughs and 
   Gysin call that?
<abrasax> so death would be the 
   death of old self that gave 
   space to the invoked god
<LAW> IAO, is I think the main 
   point being driven home.
<Ringo_X> when two ppl collaborat
   e, a third prescense
<gumby23> 93!
<Serpente> 93 gumby
<abrasax> 93 gumby
<Serpente> ok let me throw out 
  somemore text
<gumby23> did i miss the discussi
   on?
<LAW> Abrasax, yes death here 
   meaning conjunction.
<Serpente> nope were still going 
  gumby
<Serpente> <*>In the case of 
   Bacchus, one commemorates 
   firstly his birth of a mortal 
   mother who has yielded her 
   treasure-house to the Father 
   of All, of the jealousy and 
   rage excited by this incarnati
   on,
<abrasax> 2 hours already
<Serpente> and of the heavenly 
   protection afforded to the 
   infant.
<gumby23> great
<Serpente> <*>Next should be 
   commemorated the journeying 
   westward upon an ass. Now 
   comes the great scene of the 
   drama: the gentle, exquisite 
   youth with his following 
   (chiefly composed of women) 
   seems
<Serpente> to threaten the 
   established order of things, 
   and that Established Order 
   takes steps to put an end to 
   the upstart. We find Dionysus 
   confronting the angry King, 
   not with defiance, but with 
   meekness; yet
<Serpente> with a subtle confiden
   ce, an underlying laughter. 
   His forehead is wreathed with 
   vine tendrils. He is an 
   effeminate figure with those 
   broad leaves clustered upon 
   his brow? But those leaves 
   hide horns.
<Serpente> King Pentheus, 
   representative of respectabili
   ty, is destroyed by his 
   pride. He goes out into the 
   mountains to attack the women 
   who have followed Bacchus, 
   the youth whom he has mocked, 
   scourged, and put
<Serpente> in chains, yet who 
   has only smiled; and by those 
   women, in their divine 
   madness, he is torn to pieces.
<abrasax> in a sense this is 
   Crowley bringing Liber AL
<abrasax> destroying the old 
   world
<abrasax> word that is
<abrasax> btw, did anyone try to 
   make spring equinox ritual 
   along these lines
<DeadFish> oh LOVELY
<Feydakin> fishie shut up and 
   learn ;>
<Serpente> well AC does seem on 
  a tangent doesnt he
<DeadFish> Fey: it's probably 
   overrated
<LAW> And at the same time 
   defining the method, in very 
   esoteric terms, this describes
    the Great Rite to some 
   degree, albiet in subtle 
   terms of poeticism.
<Feydakin> fish Definately!
<abrasax> agreed law
<LAW> Don't think it's a tangent.
* DeadFish loves the sound of 
  someone having an aneurism
* DeadFish works tech support, 
  gets to hear it on a regular 
  basis
* Aine always thought that 
  sounded like a nice muffeled 
  *pop*
<LAW> Just reaffermation of IAO 
   in sexual terms for physical 
   ritual.
* Serpente nods
<Ringo_X> yep law
<abrasax> Cross and Rose that 
   he's talking about later as 
   well
<kendoggie> whats a good talisman
    to win at gambline
<LAW> Yes.
<kendoggie> gambling
<Serpente> as well as introducing
   his own work in mythic terms
<Aine> 93 strych!
<strych9> Yep.
<abrasax> ken, that's kinda off 
   topic
<strych9> 93eeeeeeeeeeeeee
<LAW> "Know the dealer?" <G>
joined #thelema
<Serpente> ok lets see some more
<Aleister> i think it is called 
   a casino licence 
<Serpente> <*>It has already 
   seemed impertinent to say so 
   much when Walter Pater has 
   told the story with such 
   sympathy and insight. We will 
   not further transgress by 
   dwelling upon the identity of 
   this
<Serpente> legend with the 
   course of Nature, its madness,
    its prodigality, its intoxica
   tion, its joy, and above all 
   its sublime persistence 
   through the cycles of Life 
   and Death. The pagan reader 
   must labour to understand
<Serpente> this in Pater's 
   "Greek Studies", and the 
   Christian reader will recognis
   e it, incident for incident, 
   in the story of Christ. This 
   legend is but the dramatizatio
   n of Spring.
<gumby23> sup badmout:P
<abrasax> I think that you can 
   add some more, unless someone 
   has a comment to make
<LAW> Ha Ha Ha! Great lines, he 
   get's about 20 of his advasari
   es in about 4 sentences.
<DeadFish> Oh! i'm sorry, i 
   forgot it was lesson time
<kendoggie> sorry
<Serpente> <*>The magician who 
   wishes to invoke Bacchus by 
   this method must therefore 
   arrange a ceremony in which 
   he takes the part of Bacchus, 
   undergoes all His trials, and 
   emerges triumphant from
<Serpente> beyond death. He 
   must, however, be warned 
   against mistaking the symbolis
   m. In this case, for example, 
   the doctrine of individual 
   immortality has been dragged 
   in, to the destruction of 
   truth. It is not
<Serpente> that utterly worthless
    part of man, his individual 
   consciousness as John Smith, 
   which defies death --- that 
   consciousness which dies and 
   is reborn in every thought. 
   That which persists (if 
   anything persist)
<Serpente> is his real John 
   Smithiness, a quality of 
   which he was probably never 
   conscious in his life.
<abrasax> unfortunately, I must 
   leave now, 93 93/93 all
<Serpente> ok well lets keep 
  going
<Serpente> <*>The reincarnation 
   of the Khu or magical Self is 
   another matter entirely, too 
   abstruse to discuss in this 
   elementary manual.
<Serpente> <*>Even that does 
   not persist unchanged. It is 
   always growing. The Cross is 
   a barren stick, and the 
   petals of the Rose fall and 
   decay; but in the union of 
   the Cross and the Rose is a 
   constant
<Serpente> succession of new 
   lives.
<Serpente> <*>Without this 
   union, and without this death 
   of the individual, the cycle 
   would be broken.
<Serpente> we rather covered all 
  of this I think
<Serpente> ok I'll keep flooding 
<Serpente> <*>A chapter will be 
   consecrated to removing the 
   practical difficulties of 
   this method of Invocation. It 
   will doubtless have been 
   noted by the acumen of the 
   reader that in the great 
   essentials
<Serpente> these three methods 
   are one. In each case the 
   magician identifies himself 
   with the Deity invoked. To 
   "invoke" is to "call in", 
   just as to "evoke" is to 
   "call forth". This is the 
   essential difference between
<Serpente> the two branches of 
   Magick. In invocation, the 
   macrocosm floods the conscious
   ness. In evocation, the 
   magician, having become the 
   macrocosm, creates a microcosm
   . You "in"voke a God into the 
   Circle. You
<Serpente> "e"voke a Spirit into 
   the Triangle. In the first 
   method identity with the God 
   is attained by love and by 
   surrender, by giving up or 
   suppressing all irrelevant 
   (and illusionary) parts of 
   yourself. It is
<Serpente> the weeding of a 
   garden.
<Serpente> <*>In the second 
   method identity is attained 
   by paying special attention 
   to the desired part of 
   yourself: positive, as the 
   first method is negative. It 
   is the potting-out and 
   watering of
<Serpente> a particular flower 
   in the garden, and the 
   exposure of it to the sun.
<LAW> Very important instruction 
   and hints here too I think.
<Aleister> as to the called 
   being aspects of the self law?
<Ringo_X> mmm, yeah
* Ringo_X ponders
<LAW> Well, the specific referenc
   e to the difference between 
   invocation and evocation.
<Ringo_X> the weeding of the 
   garden v. the tending of a 
   paticualr flower
<LAW> Invocation is call in, 
   into self, or into circle, 
   which ever is best understood.
<LAW> Evocation is projection 
   back out of that invoked in.
<LAW> Since the invoked is now a 
   combined form, it is placed 
   in the Triangle of Art, 
   rather then the circle.
<LAW> This is the general method 
   of invocation and evocation 
   as I understand it.
<Ringo_X> The realtionship 
   between the magician and the 
   macro / micro is interesting 
   in this instance
<Ringo_X> All the these reference
   s to garden etc are very 
   reminicent of Waite Atu 1
<Serpente> <*>In the third, 
   identity is attained by 
   sympathy. It is very difficult
    for the ordinary man to lose 
   himself completely in the 
   subject of a play or of a 
   novel; but for those who can 
   do so,
<Serpente> this method is 
   unquestionably the best.
<LAW> Yes for sure Ringo, Macro 
   is invoked, "and consumed or 
   conjuncted" with micro to 
   produce new Macro/Micro. 
<Ringo_X> like the magician in 
   some instances my be seen as 
   the microcosm to the to HGA's 
   macro 
<Ringo_X> and the magician the 
   macro to the the thing evoked
<LAW> I think the Garden referenc
   es here refer to the methods 
   main purpose, That of eventual
   ly Tending your own garden of 
   asprents, the responsibility 
   of the 8-3 degree.
<LAW> Yes, in conjunction both 
   the Macro and Micro "transform
    into something else, again 
   the IAO formula.
<Ringo_X> Thats a point, but I'm 
   keen to find the realtions 
   between each of the chapters 
   and the major arcana
<Aleister> ringo there is a 
   liber that gives those
<Ringo_X> the thrid mind....
<Aleister> the chapter headings 
   can also tell you some of them
<Ringo_X> al...that discusses 
   the realtions?
<Aleister> yes
<Ringo_X> I asumed it was 
   straighforward ch 0 = fool, 
   1= magus...etc
<Ringo_X> 8=3 is oath of the 
   magus yeah?
<LAW> I think you'll be directed 
   to the Lovers for the conjunct
   ion, with the Fool as the 
   product, and the Magician and 
   or Devil and High Priestess 
   for the players, with Art 
   being the method. 
<Aleister> no, chapter 0 is the 
   magickal theory of the 
   universe, this clearly must 
   refer to atu XXI
<abrasax> re
<Serpente> re abrasax
<abrasax> no, chapter 0 is Atu 0
<Aleister> though he may be 
   telling us by this that in 
   some sense the fool=the 
   universe?
<abrasax> this chapter is Atu 1
<Aleister> the correspondences 
   are not straightforward
<Ringo_X> I've always understood 
   a direct realtionship between 
   them
<LAW> Atu 1 and  these are the 
   methods employed.
<abrasax> right
<LAW> The card shows many of the 
   items discussed.
<Aleister> why would 'magickal 
   theory of the universe' refer 
   to anything directly other 
   than 'the universe', pray 
   tell?
<Ringo_X> 0 is a representation 
   of the universe, it's between 
   the other atu around them
<Serpente> ok well chapter two 
  is the formula of the elemental
   weapons, which sounds more 
  the Atu I than Atu II the high 
  priestess..
<QuaZar> anything going on?
<Serpente> 93 quazar, just 
  wrapping up a discussion group
* kendoggie thinks making such 
  weapons is hard, not able to 
  make them my self
<Aleister> liber DCCCLXVIII 
   liber Viarum Viae, a graphical
    account of magickal powers 
   classified under the tarot 
   trumps
<Ringo_X> I wonder what Tarot 
   designs Ac was using round 
   the time of writing
<Ringo_X> gotcha al
<gumby23> ken i dont think it 
   matters if the weapons are 
   ugly and crude, its the act 
   of making em thats important]
<Aleister> digging iron ore is a 
   bitch
<Aleister> as is smelting it
<gumby23> tin foil over cardboard
   :)
<Serpente> hehe
<Serpente> well I'm going to 
  quote out some more, its 
  getting late
<abrasax> are we almost done 
   with the chapter
<Serpente> <*>Observe: each 
   element in this cycle is of 
   equal value. It is wrong to 
   say triumphantly "Mors janua 
   vitae", unless you add, with 
   equal triumph, "Vita janua 
   mortis".
<gumby23> translated?
<Serpente> death is the gate of 
  life and life is the gate of 
  death
<kendoggie> <<==a perfectionist 
   and i see a beautiful wand in 
   a book, i have ot have it, 
   and get frustrated if it 
   doesn't turn out that way end 
   of interuption :-)
<Mathetes> sounds like orgasm to 
   me
<abrasax> so is this discussion 
   still going on or what
<Serpente> lol!
<Serpente> well that probably 
  depends on who you asked :)
<Serpente> I think I have one 
  more paragraph to spew
<abrasax> cool
<Serpente> <*>To one who 
   understands this chain of the 
   Aeons from the point of view 
   alike of the sorrowing Isis 
   and of the triumphant Osiris, 
   not forgetting their link in 
   the destroyer Apophis, there
<Serpente> remains no secret 
   veiled in Nature. He cries 
   that name of God which 
   throughout History has been 
   echoed by one religion to 
   another, the infinite swelling
    paean I.A.O.!
<abrasax> hmm, this Aeons
<abrasax> he didn't mention them 
   anywhere else in this chapter
<Mathetes> just a little off 
   topic but still there...does 
   anyone know what the chain is?
<Serpente> he just told ya
<LAW> I think in this case it's 
   just another word for progress
   ion.
<LAW> The sequence from Pisces 
   to Aquarius, to Capricorn and 
   so forth.
<Mathetes> err...the full 
   chain...up to now and beyond..
   I remember a reference 
   somewhere as it was the same 
   as the officers in the G.D. 
   however I couldn't find that 
   info
<LAW> And how each Aeon takes on 
   an IAO charistic.
<Ringo_X> re
<gumby23> aeon preceding isis?
<abrasax> re ringo
<Serpente> Mathetes in the GD 
  the Hierus (God form Horus) 
  assumes the role of Heirophant 
  at the Equinox
<Serpente> The officers rotate I 
  mean in other words
<LAW> The only Crowley implied 
   reference that I know of is 
   the Isis, Osiris, Apophis, 
   cycle.
<Ringo_X> is Aphosis related 
   here to Horus....this is just 
   a shot in the dark but seems 
   to unite them in some sense
<LAW> Yes, Apophis is the Child 
   in that combo.
<abrasax> I think so
<Serpente> the next officer down 
  from Hierus (horus) is Hegemon 
  (MAAT)
<abrasax> so this chapter should 
   be closely studied with IAO 
   formula
<LAW> Many would think the next 
   cycle is one of Twins, 
   crowned and conquering. <G> 
   So Maat and Horus would be a 
   good bet, I think.
<Ringo_X> prop be valuable 
   studfying it alos in light of 
   VIAOV analysis
<abrasax> so this kinda wraps 
   things up
<LAW> Yet another good example 
   of the evidence of Twins I 
   think.
<Serpente> yeaap
<kendoggie> very interesting 
   learned alot
<Serpente> heres the bookend 
<Serpente> <*>That concludes 
   our discussion tonight. Thank 
   you for attending. Our next 
   discussion on Chapter III - 
   The Formulae of the Elemental 
   Weapons will be announced on 
   the Undernet Thelema home
<Serpente> page at:
<Serpente> <*>http://www.wintern
   et.com/~robin/thelema.html
<Serpente> <*>We hope you have 
   found this an interesting 
   experience and thank you for 
   your contributions.
<Serpente> oops thats chapter II
<Serpente> <*>Do what thou wilt 
   shall be the whole of the 
   Law. Love is the law, love 
   under will.