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<Serpente> <*>Do what thou wilt 

   shall be the whole of the Law. 

   Love is the law, love under 

   will.

<Serpente> <*>On behalf of the 

   users of Undernet Channel 

   #Thelema, allow me to extend a 

   hearty welcome to all.

<Serpente> <*>The topic for 

   tonights discussion is Chapter 

   I of Magick in Theory and 

   Practice, The Principles of 

   Ritual.

<Serpente> <*>You may find the 

   text at http://www.winternet.com

   /~robin/magick01.html we 

   recommend that you bring the 

   text up on your web browser now 

   before we begin so that you may 

   refer to it.

<Serpente> <*>IRC is a difficult 

   medium to hold discussions of a 

   complex nature so we would like 

   to ask that everyone remain 

   focused on the topic at hand to 

   help us avoid distractions.

<Serpente> <*>The format of 

   the discussion is mostly 

   unmoderated. Rather than 

   lecture, our hope is to 

   encourage everyone to 

   contribute so that we may 

   all learn from each others 

   perspectives.

<Serpente> <*>We understand that 

   there will be a wide range of 

   depth of understanding and it 

   is our hope that both experience

   d and less experienced individua

   ls will gain something from our 

   discussion

<Serpente> and feel welcome to 

   contribute.

<Serpente> <*>Since this chapter 

   is rather short I have loaded 

   it in its entirety into the 

   quoting program. If you would 

   ratherYou can request to be 

   served paragraphs by messaging 

   me with a message

<Serpente> in the format pN where 

   N is the paragraph number. 

   These introductory remarks are 

   paragraphs p0 through p10.

<Serpente> <*>We will begin in a 

   couple of minutes with the 

   first paragraph.

<Serpente> <*>CHAPTER I

<Serpente> <*>THE PRINCIPLES OF 

   RITUAL

<Serpente> <*>There is a single 

   main definition of the object 

   of all magical Ritual. It is 

   the uniting of the Microcosm 

   with the Macrocosm. The Supreme 

   and Complete Ritual is therefore

    the Invocation

<Serpente> of the Holy Guardian 

   Angel; or, in the language of 

   Mysticism, Union with God.

<kendoggie> what book

<Serpente> its magick in theory 

  and practice

<abrasax> Therefore, Macrocosm is 

   HGA, right?

<kendoggie> kewl

<kendoggie> a discussion group

<kendoggie> love it

<Aleister> if i understand it, the 

   HGA can be either microcosm or 

   macrocosm depending on if one 

   is invoking or evoking

<Tabytha> But the HGA materializes 

   to each person differently....fr

   om one person to the next

<abrasax> Also it is attributed to 

   the degree of 5=6 or microcosm=m

   acrocosm

<Serpente> From what tabytha said 

  can we then say that the macrocos

  m is unique for each one of us?

<abrasax> I don't think so

<Tabytha> Not everyone has "Set" 

   for a HGA

<abrasax> since we are the exact 

   image of Macrocosm, and since 

   we all differ...

<Aleister> well, since the macrocos

   m and microcosm are both mirrors

<Aleister> since each of us is 

   different the macrocosm would 

   reflect each differently

<abrasax> true

<Aleister> it would seem that the 

   question of whether the macrocos

   m IS different is in principle 

   not answerable

<Serpente> maybe our HGA is 

  the reflection of ourselves 

  coming back at us

<Exscrps> Aleister, is this 

   what you're saying: HGA is 

   Microcosm if Invoking.  

   HGA is Macrocosm if Evoking.

<kendoggie> makes sense

<Aleister> no ex, the other 

   way around

<abrasax> hmm, interesting 

   point serp

<Aleister> yes serp

<Aleister> imho

<sekretz> 93 all

<Serpente> 93 sekretz 

<abrasax> 93 sekretz

<Tabytha> We only gain knowleg

   e and coversation, once we 

   bring together all levels 

   of conseness, right?

<abrasax> evocation of HGA 

   could fall under 6=5 

   degree then

<Tabytha> Cr

<Tabytha> Crap.....<sp>

<Serpente> sekretz the questio

  n is, how can our hga be 

  unique if the process is 

  union with the macrocosm

<Exscrps> Aleister, thanks.  

   I need to think about that 

   one!  I have reasons for 

   the other way around which 

   we could probably explore 

   in another discussion.  

   Thanks for the concept.

<abrasax> perhaps only our 

   perception of HGA is unique

<Serpente> lets continue

<Serpente> <*>All other 

   magical Rituals are particu

   lar cases of this general 

   principle, and the only 

   excuse for doing them is 

   that it sometimes occurs 

   that one particular portion

    of the microcosm is

<Serpente> so weak that its 

   imperfection of impurity 

   would vitiate the Macrocosm

    of which it is the image, 

   Eidolon, or Reflexion. For 

   example, God is above sex; 

   and therefore neither man 

   nor woman as such can be

<Serpente> said fully to 

   understand, much less to 

   represent, God. It is 

   therefore incumbent on the 

   male magician to cultivate 

   those female virtues in 

   which he is deficient, and 

   this task he must of 

   course accomplish

<Serpente> without in any way 

   impairing his virility. It 

   will then be lawful for a 

   magician to invoke Isis, 

   and identify himself with 

   her; if he fail to do 

   this, his apprehension of 

   the Universe when he 

   attains

<Serpente> Samadhi will lack 

   the conception of maternity

   . The result will be a 

   metaphysical and --- by 

   corollary --- ethical 

   limitation in the Religion 

   which he founds. Judaism 

   and Islam are striking 

   example of

<Serpente> this failure.

<Serpente> whoa that was a 

  bit long :)

<sekretz> The same way that 

   each prophets vision of 

   god is different, I would 

   suppose: We each as individ

   uals reflect on even a 

   universal experience in a 

   way that reflects ourselves

    in the outcome.

<abrasax> now, why are all 

   other rituals cases of 

   this one

<abrasax> does that mean that 

   all gods that we invoke 

   are just different faces 

   of HGA

<Aleister> 'truth' gets 

   rather strained and flavore

   d by the time it passes 

   though our neural, cultural

   , and personal filters

<Serpente> I would say yes of 

  course

<Aleister> or of the self

<Serpente> every smaller 

  thing is part of the larger 

  macrocosm

<Tabytha> It goes back to 

   Kabbala, atleast Jewish, 

   the sepheroth are parts or 

   aspects to God

<Tabytha> Its all one

<Tabytha> Its easier to back 

   it down into smaller 

   pieces 

<Tabytha> oops

<Tabytha> break

<Serpente> one but with many 

  features

<abrasax> what Crowley is 

   saying here also is that 

   we are just theoretically 

   exact image of macrocosm

<Serpente> aspects

<abrasax> it's our work to 

   balance ourselves, to 

   reflect the macrocosm, and 

   then unite with it

<Serpente> but also that we 

  likey fail to represent 

  each aspect in balance

<abrasax> this work of balanci

   ng brings us to next 

   segment

<Serpente> yep

<Serpente> <*>To take 

   another example, the 

   ascetic life which devotion

    to magick so often involve

   s argues a poverty of 

   nature, a narrowness, a 

   lack of generosity. Nature 

   is infinitely prodigal --- 

   not

<Serpente> one in a million 

   seeds ever comes to fruitio

   n. Whoso fails to recognise

    this, let him invoke 

   Jupiter.

<abrasax> 93 LAW

<abrasax> serp, you can add 

   one more segment, I think

<LAW> 93 Everybody.

<Serpente> ok

<Serpente> 93 LAW

<Serpente> <*>The danger of 

   ceremonial magick --- the 

   sublest and deepest danger 

   --- is this: that the 

   magician will naturally 

   tend to invoke that partial

    being which most strongly 

   appeals to him, so

<Serpente> that his natural 

   excess in that direction 

   will be still further 

   exaggerated. Let him, 

   before beginning his Work, 

   endeavour to map out his 

   own being, and arrange his 

   invocations in such a way 

   as to redress

<Serpente> the balance.

<Aine> 93 law

<LAW> Good to see you again 

   Abrasax & Aine.

<abrasax> however, wouldn't 

   the doing of your true 

   will emphisize one part of 

   your being

<Serpente> This seems to ask 

  us to know ourself fairly 

  well before we begin

<abrasax> well, they say that 

   words Nosce Te Ipsum are 

   on the doors of the portal 

   of the Temple

<Serpente> what does that 

  mean abrasax

<Exscrps> Know Thyself!  A 

   natal chart is a good 

   indicator of any lack of a 

   particular element in 

   one's makeup.  I'm reminded

    of a Brother who, discover

   ing that he had a lack of 

   Fire in his birth chart, 

   joined the Polar Bears 

   Club! 

<Aleister> there is a referenc

   e there for the mapping 

   proceedure

<abrasax> however, that can 

   take years

<abrasax> hehe

<Aleister> libers 913 and cxi 

   are given as reference 

   there

<abrasax> I think that even Tree 

   of Life can be very useful

<Exscrps> I must take my leave 

   now.  I shall rejoin you all 

   later.  93 93/93

<Tabytha>  re Math

<Aleister> and what DOES 'Nosce Te 

   Ipsum' mean?

<Mathetes> re 93s

<abrasax> try to figure out which 

   sephiroth are weak, and which 

   are too strong

<abrasax> otherwise, your magick 

   will be qlipphotic

<Serpente> abrasax, good point.  

  Perhaps that is one of the 

  primary functions of having a 

  map like the tree of life to 

  point out general areas that a 

  balanced being just might have

<abrasax> I think that College of 

   Thelema deals seriously with 

   these issues

<abrasax> 93 ex

<Mathetes> and just taking the 

   middle path?

<abrasax> Know Thyself

<Serpente> that leads right to the 

  next statement in the text

<Serpente> <*>This, of course, 

   should have been done in a 

   preliminary fashion during the 

   preparation of the weapons and 

   furniture of the Temple.

<abrasax> we are the Tree of Life 

   of course, that's what Pentagram

    ritual teaches us

<LAW> There are many system and 

   approaches to begin the process 

   of "Knowing Thyself", the Tree, 

   and other Qabalistic study, 

   Enochian we have used effectivle

   y, and several of the methods 

   of current day "undoing and 

   redoing" seem also to be 

   effective as well as Shamanistic

    work, just to mention a few.

<Serpente> so by the preparation 

  of the elemental weapons we 

  become introduced to the map and 

  its primary aspects and gain a 

  general survey of the territory

<abrasax> I don't think that we 

   should take Crowley literary

<abrasax> he doesn't really mean 

   the furnishing of the physical 

   Temple

<abrasax> but rather as a symbol 

   of our magickal universe

*** lasre (Geoff@d6m14.e-tex.com) 

has left #thelema

<LAW> Hummm, I tend to think he 

   did, at least in this reference.

<abrasax> could you elaborate?

<Aleister> well, since the 

   one symbolizes the other, 

   it seems a moot point

<LAW> Well the process of 

   making your magical tools 

   and puting the Temple 

   furniture together is a 

   self initiation unto 

   itself.

<abrasax> agreed Al

<Serpente> I would think that 

  the actually conscruction 

  and consecration process 

  would be an important part 

  of gaining that first 

  familiarity with the territo

  ry

<LAW> Construction of the 

   implements "forces" somewha

   t the actual understtanding

    of same.

<abrasax> but I think that it 

   should come after getting 

   to know yourself better

<abrasax> you don't rush to 

   make your weapons right 

   away

<LAW> I agree Serpente, at 

   least that has been my 

   personal experience.

<LAW> Agreed also Abrasax, 

   it's just part of the 

   process taken at the 

   magicians own pace.

<Serpente> which is probably 

  why most training or Outer 

  orders are arranged in an 

  elemental progression

<abrasax> good point

<abrasax> that's the formula 

   of Pentagram actually

<abrasax> balancing the four 

   elements and then invoking 

   the Spirit

<Serpente> but other systems 

  could be used such as 

  chakras or any other model 

  that supposed to be a 

  complete image oof the 

  macrocosm

<abrasax> compare grades in 

   A.'.A.'.

<abrasax> so could we look at 

   the Man of Earth triad as 

   performing the similar 

   function

<abrasax> where the final 

   rising of Kundalini is 

   union with HGA

<abrasax> btw, one remark, 

   one found it very easy to 

   study chapter 8 along with 

   this one

<abrasax> I found it, not one

<Serpente> ok lets keep going

<Serpente> <*>To consider in 

   a more particular manner 

   this question of the 

   Nature of Ritual, we may 

   suppose that he finds 

   himself lacking in that 

   perception of the value of 

   Life and Death, alike of

<Serpente> individuals and of 

   races, which is characteris

   tic of Nature. He has 

   perhaps a tendency to 

   perceive the "first noble 

   truth" uttered by Buddha, 

   that Everything is sorrow. 

   Nature, it seems, is a 

   tragedy.

<Serpente> He has perhaps 

   even experienced the great 

   trance called Sorrow. He 

   should then consider 

   whether there is not some 

   Deity who expresses this 

   Cycle, and yet whose 

   nature is joy. He will 

   find what he requires

<Serpente> in Dionysus.

<Ingeborg> hello all!

<abrasax> 93 inge

* Ingeborg waves to the 

  channel

<Serpente> 93 Inge, feel free 

  to join us we have a discuss

  ion group in progress

<Aine> 93 inge

<Ingeborg> I don't know what 

   to say, seeing as I'm from 

   a very different magical 

   tradition.

* Ingeborg shrugs

<Ingeborg> guess I should 

   just lurk and take mental 

   notes...

<Serpente> hmm this is interes

  ting for AC to recommend an 

  antidote to buddhism that 

  is pretty far removed from 

  the buddhist reaction

<abrasax> I think that he's 

   deriving this from his 

   personal experience

<Aleister> it was not an 

   antidote to buddhism per se

<Aleister> it was an antidote 

   to adherence to a partial 

   and limiting truth

<abrasax> he's not saying 

   that there is anything 

   wrong with buddhism

<LAW> Also more of a traditina

   l Crowley "leg pull" as to 

   drownding one's sorrow in 

   a bottle of good booze.

* Ingeborg chuckles

<kendoggie> lol

<Aleister> thank you law, i 

   missed that obvious joke

<abrasax> hehe

<LAW> A good dicotomy too 

   Laughing Budda and Sorrow.

<Serpente> one of the fun 

  things about reading crowley

  , he had a great sense of 

  humor

<LAW> Also deeper in that 

   Sorrow is Binah and Nature 

   being a joke in itself 

   Aliester really turned on 

   here I think, many layers 

   of thought actually.

<tannhaus> hello

<abrasax> 93 tann

<tannhaus> 93

<Ingeborg> hello Tann!

<LAW> Hints and inuendo to 

   the max.

<abrasax> serp, you can give 

   us next segment

<Serpente> ok

<Serpente> <*>There are 

   three main methods of 

   invoking any Deity.

<Serpente> <*>The First 

   Method consists of devotion

    to that Deity, and, being 

   mainly mystical in characte

   r, need not be dealt with 

   in this place, especially 

   as a perfect instruction 

   exists in Liber

<Serpente> 175 ("See" Appendix).

<abrasax> Bahkta-Yoga, basical

   ly

<Aleister> yep

<abrasax> Also we can look at 

   it as using Love formula(Lo

   ve is the law...) and 

   second method as using 

   Will formual (Do what...)

<abrasax> 93 ringo

<Ringo_X> Hey , 93

<Serpente> I would think this 

  would be confusing to 

  someone in thier early 

  career as a magician

<abrasax> what would be 

   confusing

* Aine was confused a long 

  time ago :)

<Serpente> well I would 

  expect it would be dramatic 

  and carrying away

<abrasax> you mean this method

<Serpente> total identificatio

  n with a deity through 

  worship and devotion

<Serpente> yeah

<Serpente> just an aside 

  really

<Aleister> evokation would seem 

   to involve 'will' in a more 

   active sense than invokation 

   does

<LAW> Why so?

<Serpente> invocation would 

  involve a kind of surrender

<abrasax> they both involve 

   will, since they are attribute

    to the formula of wand

<abrasax> this method would fall 

   under formula of Cup then, 

   right?

<LAW> Ah, yes see your point now.

<Serpente> oh well my point was 

  really just to reiterate the 

  trueism that the magician has 

  to be careful not to mistake 

  the first resting place as the 

  destination :)

<abrasax> 93 white

<Whiteshdw> MM

<Brmhilda> hiya inge

<Ingeborg> hiya!

<abrasax> any more comments on 

   this first method?

<Ingeborg> Ummm...what do I do 

   here besides lurk and read?

<Serpente> lets continue to the 

  second method

<Serpente> lurking is fine 

  Ingeborg :) 

<Serpente> <*>The Second method 

   is the straight forward 

   ceremonial invocation. It is 

   the method which was usually 

   employed in the Middle Ages. 

   Its advantage is its directnes

   s, its disadvantage its 

   crudity.

<Serpente> The "Goetia" gives 

   clear instruction in this 

   method, and so do many other 

   rituals, white and black. We 

   shall presently devote some 

   space to a clear exposition 

   of this Art.

<LAW> I think there is some 

   beginning value for some 

   people in the devotional 

   method of becoming the Diety 

   through invocation then 

   evocation, might not be of 

   value to everyone but for 

   some it might be the key. I'd 

   guess this is why it's 

   mentioned here then given to 

   a complete other study for 

   those interested in mystical 

   means to the end.

<abrasax> however, these two 

   methods can be easily combined

<Serpente> thank you LAW good 

  point

<Serpente> combined abrasax? can 

  you explain

<Aleister> perhaps my understandi

   ng is poor

<Aleister> i seem to have some 

   problem with the idea of 

   evokation

<abrasax> well, I mean adding 

   some emotions and devotions 

   when using second method

<Aleister> seeking union with a 

   god works fine for me

<abrasax> combining Love with 

   Will

* Ingeborg nods ...same here, 

  Al...

<Aleister> constraining one and 

   bossing it around seems out 

   of accord with my nature

<abrasax> chapter 15 talks about 

   that combination

<Ingeborg> Ummm, pardon me if 

   this sounds clueless...

<Aleister> are these really in 

   some sense the same thing?

<Aleister> evokation seems 

   unnecessarily dualistic to me

<Whiteshdw> oops, gotta go, 

   Merry Part

<abrasax> these methods are 

   actually in a sense same, as 

   Crowley points out latter

<Ingeborg> but what (no crowley-e

   se please, just plain English)

    do you mean by capital-L 

   Love?

<Serpente> Ingeborg, I would say 

  the simplest sense, Love=Union

<Ingeborg> I come from a traditio

   n that doesn't use that 

   terminology.

<Ingeborg> Ohhhhh.

<abrasax> I actually find it 

   hard to explain using words, 

   but perhaps Divine Love

<abrasax> I am using it here in 

   connection with Liber AL

* Ingeborg nods

<Serpente> aleister perhaps 

  there are aspects of your 

  selve you would rather not 

  increase by furthuring your 

  identification with them, but 

  rather that you would like a 

  greater degree of control over 

<LAW> I think both methods 

   involve similar things it's 

   more or less the understanding

    and focus of the magician 

   that makes the difference 

   here. After all the means by 

   which we assume or associate 

   being the god form are in 

   fact just a passive method of 

   subtle invocation and evocatio

   n. Direct intent to invoke 

   and evoke is what I think the 

   reference to cruder methods 

   are meant to imply.

<LAW> Kind of the difference 

   between Mystical and Occult 

   approaches to me.

<abrasax> evocation is also 

   connected with digging out 

   complexes in psychoanalysis

* Ingeborg keeps lurking...

<Serpente> interesting that 

  crowley uses the terms 'black' 

  and 'white' here

<Aleister> well, i admit to 

   being reluctant to call 

   anything i would feel obligate

   d to restrain

<Mistletoe> brb

<Aleister> i dont want to call 

   anything i would be uncomforta

   ble having in my life for a 

   long time

<abrasax> I wonder why

<abrasax> maybe black magick is 

   the one not pointed toward HGA

<Aleister> it seems dangerous to 

   me

<Serpente> on the other hand 

  Aleister any macrocosm is 

  going to have a lot of stuff 

  in it not all of which is 

  savory

<abrasax> that's how he defines 

   it somewhere else

<LAW> Black = Female White = 

   Male in much of the writtings,

    so maybe again an indication 

   of Combining same to create 

   the desired child. Just a 

   thought.

<abrasax> I'm pretty sure that 

   black rituals are those for 

   material things, powers, not 

   toward HGA

<Serpente> another good point 

  LAW, you always have to 

  remember to look for layers of 

  symbolism with crowley

<Ringo_X> I've always understood 

   it as everything 'lawful'...ma

   terial gain whatever as long 

   as it fits somehow into the 

   grand scheme of things ie. HGA

<LAW> I'd guess that Crowley was 

   not too scared of using the 

   Black Magick terminology for 

   absolute example, for more 

   often then not he was writing 

   to an assumed educated 

   audience I think.

<Ringo_X> alot of scope offered 

   in this defninition

<abrasax> Crowley says: "any 

   will but that to give up the 

   self to the Beloved is Black 

   Magick"

* Ingeborg sits idly in the 

  cybercorner, fiddling with the 

  Thor's hammer around her neck 

  *hmm hmm hmm*

<Serpente> also he is refering 

  to instruction or method not 

  to motive in this context

<Serpente> so that is worth 

  bearing in mind I think

<abrasax> true

<Ringo_X> mmh, nod

<LAW> Abrasax, I'd think that at 

   the time of this writing 

   Crowley was not indicating 

   anything to do with polarized 

   warnings against Black Magick 

   as associated with Material 

   gain.

<Aleister> and since he was 

   referring in that passage to 

   literature not his own i 

   would think he was accepting 

   the previous given understandi

   ng of the meaning there

<LAW> See the potential in that 

   comment as a hint, if Black 

   is Female?

<PAniteowl> MM all

<abrasax> no law

<abrasax> 93 pa

<Serpente> ok lets go on

<Serpente> <*>In the case of 

   Bacchus, however, we may 

   roughly outline the procedure.

    We find that the symbolism 

   of Tiphareth expresses the 

   nature of Bacchus. It is then 

   necessary to construct a 

   Ritual

<Serpente> of Tiphareth. Let us 

   open the Book 777; we shall 

   find in line 6 of each column 

   the various parts of our 

   required apparatus. Having 

   ordered everything duly, we 

   shall exalt the mind by 

   repeated prayers

<Aleister> i think in this 

   context, demonic workings 

   might be the referent

<Serpente> or conjurations to 

   the highest conception of the 

   God, until, in one sense or 

   another of the word, He 

   appears to us and floods our 

   consciousness with the light 

   of His divinity.

<Serpente> oops sorry Aleister

<abrasax> 93 green

<Aleister> go right ahead

* GreenMan_ waves to everyone

<LAW> From Crowley's point of 

   reference. 

<Ringo_X> right to part of the 

   method

<Mistletoe> back

<abrasax> this example seems 

   fairly straightforward

<Serpente> yep

<Aine> hihi green

<Ringo_X> maybe junping the gun 

   here, but it seems to me that 

   in the last para he realtes 

   each of these methods to IAO 

   formula?

<Serpente> we could I suppose go 

  into what is 777, though I 

  suspect everyone is familiar 

  with that book

<Ringo_X> nod

<abrasax> good point ringo

<abrasax> I=isis would definitely

    go under Devotion

<abrasax> but how do other ones 

   fit

<LAW> I agree Ringo, good point 

   too.

<Feydakin> 93

<Aine> 93 fey

<Feydakin> What's doing?

<abrasax> 93 fey

<Aleister> the self may be 

   'anhilated' in invokation, 

   would that fit "A."?

<abrasax> serp, how about next 

   part

<Serpente> ok lets see the next 

  one

<Serpente> <*>The Third Method 

   is the Dramatic, perhaps the 

   most attractive of all; 

   certainly it is so to the 

   artist's temperament, for it 

   appeals to his imagination 

   through his aesthetic sense.

<Ringo_X> I can't see clearly 

   how each of the methods 

   outlined relates to IAO

<Tabytha> I gotta go guys........

   .93s will there be another 

   diss. next week?

<Ringo_X> al I was thinking 

   along those lines

<Aleister> yes taby chap 2

<Tabytha> Thanks

<Tabytha> I'll be here

* Tabytha waves

<Serpente> <*>Its disadvantage 

   lies principally in the 

   difficulty of its performance 

   by a single person. But it 

   has the sanction of the 

   highest antiquity, and is 

   probably the most useful for 

   the foundation

<Serpente> of a religion. It is 

   the method of Catholic 

   Christianity, and consists in 

   the dramatization of the 

   legend of the God. The 

   Bacchae of Euripides is a 

   magnificent example of such a 

   Ritual; so also, through

<Serpente> in a less degree, is 

   the Mass. We may also mention 

   many of the degrees in 

   Freemasonry, particularly the 

   third. The 5 Degree = 6Square 

   Ritual published in No. III 

   of the Equinox is another 

   example.

<Ringo_X> the chapter seems to 

   move form general outline of 

   drmatic method to more 

   specific nature of Bacchus, 

   it seems divergent to me

<Serpente> trying to give 

  examples I think

<Ringo_X> yes, well the bacchus 

   Christ thing is prob the most 

   well known and wide spread

<abrasax> re all

<abrasax> are we still on the 

   second method

<Ringo_X> 3 rd

<LAW> I think the drawn point to 

   IAO as the basis here is 

   because of the root formula 

   being in production of a 3rd 

   thing. Reguarless of the 

   method the formula is always 

   aimed at that production, so 

   IAO formula is the foundation.

<Serpente> nope we just moved to 

  the dramatic

<abrasax> thanx

<LAW> The Mass with it's I and O 

   components, and the consumptio

   n and combining of them to 

   produce the 3rd thing, i.e. 

   the child is another reference

   .

<Ringo_X> nod

<Serpente> I would think that 

  any dramatic ritual would have 

  to include elements of invocati

  on

<Ringo_X> cf with the rose and 

   cross discussed

<abrasax> certainly

<abrasax> btw, why does Crowley 

   sort of go off topic here

<abrasax> talking about the 

   theory of death and so on

<Aleister> it seems to me that 

   drama involves both invokation

    and evokation

<LAW> With invocation of a 

   Diety, then assumption of 

   that Diety's "being" we end 

   up with a 3rd thing also, 

   that being the combination of 

   the Diety and the Magician to 

   produce the child which is 

   neither the Diety or the 

   Magician but both combined 

   into a 3rd thing.

<Aleister> invokation in that 

   one identifies with the role 

   played

<Aleister> evokation in that 

   others are also calling that 

   being into you by treating 

   you as that being

<Ringo_X> it seems to me that 

   the discussion of rose and 

   cross and then IAO all ties 

   in with the fundemental 

   process...as LAW mentioned

<LAW> Yep, Actor and Script, 

   combined equal 3rd thing, 

   that which is neither but 

   both.

<Ringo_X> what did Burroughs and 

   Gysin call that?

<abrasax> so death would be the 

   death of old self that gave 

   space to the invoked god

<LAW> IAO, is I think the main 

   point being driven home.

<Ringo_X> when two ppl collaborat

   e, a third prescense

<gumby23> 93!

<Serpente> 93 gumby

<abrasax> 93 gumby

<Serpente> ok let me throw out 

  somemore text

<gumby23> did i miss the discussi

   on?

<LAW> Abrasax, yes death here 

   meaning conjunction.

<Serpente> nope were still going 

  gumby

<Serpente> <*>In the case of 

   Bacchus, one commemorates 

   firstly his birth of a mortal 

   mother who has yielded her 

   treasure-house to the Father 

   of All, of the jealousy and 

   rage excited by this incarnati

   on,

<abrasax> 2 hours already

<Serpente> and of the heavenly 

   protection afforded to the 

   infant.

<gumby23> great

<Serpente> <*>Next should be 

   commemorated the journeying 

   westward upon an ass. Now 

   comes the great scene of the 

   drama: the gentle, exquisite 

   youth with his following 

   (chiefly composed of women) 

   seems

<Serpente> to threaten the 

   established order of things, 

   and that Established Order 

   takes steps to put an end to 

   the upstart. We find Dionysus 

   confronting the angry King, 

   not with defiance, but with 

   meekness; yet

<Serpente> with a subtle confiden

   ce, an underlying laughter. 

   His forehead is wreathed with 

   vine tendrils. He is an 

   effeminate figure with those 

   broad leaves clustered upon 

   his brow? But those leaves 

   hide horns.

<Serpente> King Pentheus, 

   representative of respectabili

   ty, is destroyed by his 

   pride. He goes out into the 

   mountains to attack the women 

   who have followed Bacchus, 

   the youth whom he has mocked, 

   scourged, and put

<Serpente> in chains, yet who 

   has only smiled; and by those 

   women, in their divine 

   madness, he is torn to pieces.

<abrasax> in a sense this is 

   Crowley bringing Liber AL

<abrasax> destroying the old 

   world

<abrasax> word that is

<abrasax> btw, did anyone try to 

   make spring equinox ritual 

   along these lines

<DeadFish> oh LOVELY

<Feydakin> fishie shut up and 

   learn ;>

<Serpente> well AC does seem on 

  a tangent doesnt he

<DeadFish> Fey: it's probably 

   overrated

<LAW> And at the same time 

   defining the method, in very 

   esoteric terms, this describes

    the Great Rite to some 

   degree, albiet in subtle 

   terms of poeticism.

<Feydakin> fish Definately!

<abrasax> agreed law

<LAW> Don't think it's a tangent.

* DeadFish loves the sound of 

  someone having an aneurism

* DeadFish works tech support, 

  gets to hear it on a regular 

  basis

* Aine always thought that 

  sounded like a nice muffeled 

  *pop*

<LAW> Just reaffermation of IAO 

   in sexual terms for physical 

   ritual.

* Serpente nods

<Ringo_X> yep law

<abrasax> Cross and Rose that 

   he's talking about later as 

   well

<kendoggie> whats a good talisman

    to win at gambline

<LAW> Yes.

<kendoggie> gambling

<Serpente> as well as introducing

   his own work in mythic terms

<Aine> 93 strych!

<strych9> Yep.

<abrasax> ken, that's kinda off 

   topic

<strych9> 93eeeeeeeeeeeeee

<LAW> "Know the dealer?" <G>

joined #thelema

<Serpente> ok lets see some more

<Aleister> i think it is called 

   a casino licence 

<Serpente> <*>It has already 

   seemed impertinent to say so 

   much when Walter Pater has 

   told the story with such 

   sympathy and insight. We will 

   not further transgress by 

   dwelling upon the identity of 

   this

<Serpente> legend with the 

   course of Nature, its madness,

    its prodigality, its intoxica

   tion, its joy, and above all 

   its sublime persistence 

   through the cycles of Life 

   and Death. The pagan reader 

   must labour to understand

<Serpente> this in Pater's 

   "Greek Studies", and the 

   Christian reader will recognis

   e it, incident for incident, 

   in the story of Christ. This 

   legend is but the dramatizatio

   n of Spring.

<gumby23> sup badmout:P

<abrasax> I think that you can 

   add some more, unless someone 

   has a comment to make

<LAW> Ha Ha Ha! Great lines, he 

   get's about 20 of his advasari

   es in about 4 sentences.

<DeadFish> Oh! i'm sorry, i 

   forgot it was lesson time

<kendoggie> sorry

<Serpente> <*>The magician who 

   wishes to invoke Bacchus by 

   this method must therefore 

   arrange a ceremony in which 

   he takes the part of Bacchus, 

   undergoes all His trials, and 

   emerges triumphant from

<Serpente> beyond death. He 

   must, however, be warned 

   against mistaking the symbolis

   m. In this case, for example, 

   the doctrine of individual 

   immortality has been dragged 

   in, to the destruction of 

   truth. It is not

<Serpente> that utterly worthless

    part of man, his individual 

   consciousness as John Smith, 

   which defies death --- that 

   consciousness which dies and 

   is reborn in every thought. 

   That which persists (if 

   anything persist)

<Serpente> is his real John 

   Smithiness, a quality of 

   which he was probably never 

   conscious in his life.

<abrasax> unfortunately, I must 

   leave now, 93 93/93 all

<Serpente> ok well lets keep 

  going

<Serpente> <*>The reincarnation 

   of the Khu or magical Self is 

   another matter entirely, too 

   abstruse to discuss in this 

   elementary manual.

<Serpente> <*>Even that does 

   not persist unchanged. It is 

   always growing. The Cross is 

   a barren stick, and the 

   petals of the Rose fall and 

   decay; but in the union of 

   the Cross and the Rose is a 

   constant

<Serpente> succession of new 

   lives.

<Serpente> <*>Without this 

   union, and without this death 

   of the individual, the cycle 

   would be broken.

<Serpente> we rather covered all 

  of this I think

<Serpente> ok I'll keep flooding 

<Serpente> <*>A chapter will be 

   consecrated to removing the 

   practical difficulties of 

   this method of Invocation. It 

   will doubtless have been 

   noted by the acumen of the 

   reader that in the great 

   essentials

<Serpente> these three methods 

   are one. In each case the 

   magician identifies himself 

   with the Deity invoked. To 

   "invoke" is to "call in", 

   just as to "evoke" is to 

   "call forth". This is the 

   essential difference between

<Serpente> the two branches of 

   Magick. In invocation, the 

   macrocosm floods the conscious

   ness. In evocation, the 

   magician, having become the 

   macrocosm, creates a microcosm

   . You "in"voke a God into the 

   Circle. You

<Serpente> "e"voke a Spirit into 

   the Triangle. In the first 

   method identity with the God 

   is attained by love and by 

   surrender, by giving up or 

   suppressing all irrelevant 

   (and illusionary) parts of 

   yourself. It is

<Serpente> the weeding of a 

   garden.

<Serpente> <*>In the second 

   method identity is attained 

   by paying special attention 

   to the desired part of 

   yourself: positive, as the 

   first method is negative. It 

   is the potting-out and 

   watering of

<Serpente> a particular flower 

   in the garden, and the 

   exposure of it to the sun.

<LAW> Very important instruction 

   and hints here too I think.

<Aleister> as to the called 

   being aspects of the self law?

<Ringo_X> mmm, yeah

* Ringo_X ponders

<LAW> Well, the specific referenc

   e to the difference between 

   invocation and evocation.

<Ringo_X> the weeding of the 

   garden v. the tending of a 

   paticualr flower

<LAW> Invocation is call in, 

   into self, or into circle, 

   which ever is best understood.

<LAW> Evocation is projection 

   back out of that invoked in.

<LAW> Since the invoked is now a 

   combined form, it is placed 

   in the Triangle of Art, 

   rather then the circle.

<LAW> This is the general method 

   of invocation and evocation 

   as I understand it.

<Ringo_X> The realtionship 

   between the magician and the 

   macro / micro is interesting 

   in this instance

<Ringo_X> All the these reference

   s to garden etc are very 

   reminicent of Waite Atu 1

<Serpente> <*>In the third, 

   identity is attained by 

   sympathy. It is very difficult

    for the ordinary man to lose 

   himself completely in the 

   subject of a play or of a 

   novel; but for those who can 

   do so,

<Serpente> this method is 

   unquestionably the best.

<LAW> Yes for sure Ringo, Macro 

   is invoked, "and consumed or 

   conjuncted" with micro to 

   produce new Macro/Micro. 

<Ringo_X> like the magician in 

   some instances my be seen as 

   the microcosm to the to HGA's 

   macro 

<Ringo_X> and the magician the 

   macro to the the thing evoked

<LAW> I think the Garden referenc

   es here refer to the methods 

   main purpose, That of eventual

   ly Tending your own garden of 

   asprents, the responsibility 

   of the 8-3 degree.

<LAW> Yes, in conjunction both 

   the Macro and Micro "transform

    into something else, again 

   the IAO formula.

<Ringo_X> Thats a point, but I'm 

   keen to find the realtions 

   between each of the chapters 

   and the major arcana

<Aleister> ringo there is a 

   liber that gives those

<Ringo_X> the thrid mind....

<Aleister> the chapter headings 

   can also tell you some of them

<Ringo_X> al...that discusses 

   the realtions?

<Aleister> yes

<Ringo_X> I asumed it was 

   straighforward ch 0 = fool, 

   1= magus...etc

<Ringo_X> 8=3 is oath of the 

   magus yeah?

<LAW> I think you'll be directed 

   to the Lovers for the conjunct

   ion, with the Fool as the 

   product, and the Magician and 

   or Devil and High Priestess 

   for the players, with Art 

   being the method. 

<Aleister> no, chapter 0 is the 

   magickal theory of the 

   universe, this clearly must 

   refer to atu XXI

<abrasax> re

<Serpente> re abrasax

<abrasax> no, chapter 0 is Atu 0

<Aleister> though he may be 

   telling us by this that in 

   some sense the fool=the 

   universe?

<abrasax> this chapter is Atu 1

<Aleister> the correspondences 

   are not straightforward

<Ringo_X> I've always understood 

   a direct realtionship between 

   them

<LAW> Atu 1 and  these are the 

   methods employed.

<abrasax> right

<LAW> The card shows many of the 

   items discussed.

<Aleister> why would 'magickal 

   theory of the universe' refer 

   to anything directly other 

   than 'the universe', pray 

   tell?

<Ringo_X> 0 is a representation 

   of the universe, it's between 

   the other atu around them

<Serpente> ok well chapter two 

  is the formula of the elemental

   weapons, which sounds more 

  the Atu I than Atu II the high 

  priestess..

<QuaZar> anything going on?

<Serpente> 93 quazar, just 

  wrapping up a discussion group

* kendoggie thinks making such 

  weapons is hard, not able to 

  make them my self

<Aleister> liber DCCCLXVIII 

   liber Viarum Viae, a graphical

    account of magickal powers 

   classified under the tarot 

   trumps

<Ringo_X> I wonder what Tarot 

   designs Ac was using round 

   the time of writing

<Ringo_X> gotcha al

<gumby23> ken i dont think it 

   matters if the weapons are 

   ugly and crude, its the act 

   of making em thats important]

<Aleister> digging iron ore is a 

   bitch

<Aleister> as is smelting it

<gumby23> tin foil over cardboard

   :)

<Serpente> hehe

<Serpente> well I'm going to 

  quote out some more, its 

  getting late

<abrasax> are we almost done 

   with the chapter

<Serpente> <*>Observe: each 

   element in this cycle is of 

   equal value. It is wrong to 

   say triumphantly "Mors janua 

   vitae", unless you add, with 

   equal triumph, "Vita janua 

   mortis".

<gumby23> translated?

<Serpente> death is the gate of 

  life and life is the gate of 

  death

<kendoggie> <<==a perfectionist 

   and i see a beautiful wand in 

   a book, i have ot have it, 

   and get frustrated if it 

   doesn't turn out that way end 

   of interuption :-)

<Mathetes> sounds like orgasm to 

   me

<abrasax> so is this discussion 

   still going on or what

<Serpente> lol!

<Serpente> well that probably 

  depends on who you asked :)

<Serpente> I think I have one 

  more paragraph to spew

<abrasax> cool

<Serpente> <*>To one who 

   understands this chain of the 

   Aeons from the point of view 

   alike of the sorrowing Isis 

   and of the triumphant Osiris, 

   not forgetting their link in 

   the destroyer Apophis, there

<Serpente> remains no secret 

   veiled in Nature. He cries 

   that name of God which 

   throughout History has been 

   echoed by one religion to 

   another, the infinite swelling

    paean I.A.O.!

<abrasax> hmm, this Aeons

<abrasax> he didn't mention them 

   anywhere else in this chapter

<Mathetes> just a little off 

   topic but still there...does 

   anyone know what the chain is?

<Serpente> he just told ya

<LAW> I think in this case it's 

   just another word for progress

   ion.

<LAW> The sequence from Pisces 

   to Aquarius, to Capricorn and 

   so forth.

<Mathetes> err...the full 

   chain...up to now and beyond..

   I remember a reference 

   somewhere as it was the same 

   as the officers in the G.D. 

   however I couldn't find that 

   info

<LAW> And how each Aeon takes on 

   an IAO charistic.

<Ringo_X> re

<gumby23> aeon preceding isis?

<abrasax> re ringo

<Serpente> Mathetes in the GD 

  the Hierus (God form Horus) 

  assumes the role of Heirophant 

  at the Equinox

<Serpente> The officers rotate I 

  mean in other words

<LAW> The only Crowley implied 

   reference that I know of is 

   the Isis, Osiris, Apophis, 

   cycle.

<Ringo_X> is Aphosis related 

   here to Horus....this is just 

   a shot in the dark but seems 

   to unite them in some sense

<LAW> Yes, Apophis is the Child 

   in that combo.

<abrasax> I think so

<Serpente> the next officer down 

  from Hierus (horus) is Hegemon 

  (MAAT)

<abrasax> so this chapter should 

   be closely studied with IAO 

   formula

<LAW> Many would think the next 

   cycle is one of Twins, 

   crowned and conquering. <G> 

   So Maat and Horus would be a 

   good bet, I think.

<Ringo_X> prop be valuable 

   studfying it alos in light of 

   VIAOV analysis

<abrasax> so this kinda wraps 

   things up

<LAW> Yet another good example 

   of the evidence of Twins I 

   think.

<Serpente> yeaap

<kendoggie> very interesting 

   learned alot

<Serpente> heres the bookend 

<Serpente> <*>That concludes 

   our discussion tonight. Thank 

   you for attending. Our next 

   discussion on Chapter III - 

   The Formulae of the Elemental 

   Weapons will be announced on 

   the Undernet Thelema home

<Serpente> page at:

<Serpente> <*>http://www.wintern

   et.com/~robin/thelema.html

<Serpente> <*>We hope you have 

   found this an interesting 

   experience and thank you for 

   your contributions.

<Serpente> oops thats chapter II

<Serpente> <*>Do what thou wilt 

   shall be the whole of the 

   Law. Love is the law, love 

   under will.

Unless otherwise noted all content Copyright © 1997-2002 Robin